KALYAN KRISHNA TAMIL MOVIES MOVIE

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It is indicative of someone clear about his restrictions and his strengths. ThereвЂ™s also a lot of self-awareness in Dharala Prabhu (I liked how Krishna Marimuthu slipped in a gaffe about himself and also sneaked in a lesbian couple). Being an ardent follower of all the eight artists involved, it was nice to hear all of their work seamlessly blend into one another. The mosaic soundtrack was another pleasant surprise. Our senior actors aced on both counts, and also provided a lot more depth to their characters, than they are able to in recent times. It reminded me of an era that used our comedians also as character actors. (Watch out for the one with the вЂbell iconвЂ™). There is a lot of clever writing in the humour that plays to VivekhвЂ™s strength of memorable one-liners. I swear I laughed out loud when Vivekh says, вЂњ Ettu la sani, Mount Road la guni'', when someone asks him why he isnвЂ™t married. An in-form Vivekh makes this ride thoroughly enjoyable with a lot of throwbacks to his classic antics. Kannadasan is probably Dharala PrabhuвЂ™s biggest strength. Vivekh as the self-deprecating, relentless Dr. Tanya Hope looks pretty but adds little to her character. While Harish Kalyan pulls his weight, for the most part, the film also needed a more dynamic female lead. It is this intermittent superficiality that hampers Dharala Prabhu. On the other hand, the clinic, a more appropriate choice to reflect some sophistication, looks a tad shady. If a lower-middle-class family can afford to run a parlour and house that looks as good, I should probably reconsider my career options. The thread around Prabhu and his relationship with his coach also feels very contrived.ДЄlso, the filmвЂ™s production and art design look a bit too sleek for my comfort. (Not to mention, Prabhu-Nidhi relationship begins on shaky ground). Here, Prabhu instead says, вЂњWell, you have told me that you feel safe with me, and also, that you are single.вЂќ Or how about when Nidhi says that she earns enough to ensure that they have a comfortable life? However, the charm of these occasional moments donвЂ™t translate into sparkling chemistry Kannadasan and Kama (RS Shivaji) share more exciting chemistry than the couple. In another Tamil film, the girl would have been crucified for being an вЂopportunistвЂ™. The couple has memorable standalone moments, like when Nidhi takes him along to a wedding because she doesnвЂ™t want to go alone and bear the brunt of unnecessary questions. Take the Prabhu-Nidhi (Tanya Hope) relationship. Not all of these tweaks land as effectively as they should though. Even the Prabhu-Kannadasan dynamic has been tweaked to a more involved equation that is almost father-son like, to suit the personas of Harish Kalyan and Vivekh. (They could have avoided the Raja Parambarai angle.) PrabhuвЂ™s mother (Anupama Kumar) and grandmother (Sachu) donвЂ™t bond over alcohol here, they do over cards. ThereвЂ™s a thorough check on his habits and routine. Kannadasan (Vivekh) doesnвЂ™t just find his вЂ Dharala PrabhuвЂ™ by accident. Prabhu (Harish Kalyan) begins donating sperm not because he wants вЂpocket moneyвЂ™ like Vicky does, but because he thinks of it as a вЂgood deedвЂ™.

I liked that Krishna Marimuthu and his writers (Subu / Sudharshan Narasimhan) have largely retained the ethos of Vicky Donor, albeit with a South-Indian twist. The film isnвЂ™t a frame-by-frame adaptation. Producer: Screen Scene Media Entertainment

Kalyan krishna tamil movies